This story was written by Sara Freeland and was originally posted to UGA Today on July 7, 2019.
Fifty years ago, on July 20, 1969, Apollo 11 astronauts Neil Armstrong and Edwin “Buzz” Aldrin landed on the moon–the first time humans set foot on another celestial body. As the nation and the world celebrate the 50th anniversary of the first moon landing, the University of Georgia is taking an in-depth look at this historic milestone and the future of space exploration.
Fifty years ago, people around the world stopped what they were doing to watch Apollo 11 land on the moon.
Today, most of the world’s population wasn’t even born when the moon landing took place.
But the significance of this historic milestone still resonates.
“It is fascinating that people feel such a connection to the moon landing and it still inspires curiosity,” said Sarah Anderson, a University of Georgia graduate student in history. “Everyone has a story about their viewing experience.”
Anderson curated “Moon Rocks!,” an exhibition hosted by UGA’s Richard B. Russell Library for Political Research and Studies to mark the 50th anniversary of Apollo 11. Anderson previously worked for two years at the Smithsonian’s National Air and Space Museum in Washington, D.C.
“Space inspires a sense of adventure and excitement. Astronauts were portrayed as All-American, hard-working, accessible heroes—a person that children could aspire to be. Astronauts provided hope of advancement and achievement for average Americans,” Anderson noted. “The exhibit explores this a little more, as well.”
Ultimately, what she hopes to accomplish with the exhibition is to bring generations together—those who witnessed the moon landing and have their own story of watching it on the television while holding rabbit ears with those who were born afterward and grew up with astronauts live-streaming space station experiments.
“Bringing in an exhibition that can provide that intergenerational experience is really important,” she said. “Something that people can reminisce and visit with their families and learn from their families is really important to do as an institution.”
On display in the galleries in the Richard B. Russell Special Collections Library through December, the exhibition features magazines, political cartoons, satellite models and photos taken from space of the Earth and the lunar landing. The display also includes a piece of the Apollo 9 spacecraft and a medallion that went to the moon and back.
Moon rocks on display
On July 16, 50 years after the Apollo 11 launch from Cape Canaveral (formerly known as Cape Kennedy), the libraries will host an event with moon rocks on loan from the Georgia Capitol Collection for one day only. The rocks, along with a state of Georgia flag that went to the moon and back, were given to Georgia by former President Richard Nixon, who gave every state moon rocks and small fragments from the Apollo 11 and Apollo 17 lunar missions after the landing.
The event will also show archival footage of the July 20, 1969, moon landing and have space-themed snacks, including astronaut ice cream and Tang.
Russell, namesake of the libraries building, was on the Senate Committee on Aeronautical and Space Sciences from its conception in 1958 until his death in 1971. The collections include gifts to Russell, magazines he collected, photographs, political cartoons, and letters between Sen. Talmadge and NASA. The exhibition also includes satellite and spacecraft models that Russell displayed in his office. Talmadge was the main advocate in bringing moon rocks collected on the Apollo 16 mission from the Lunar Stone Mountain to Stone Mountain in Georgia.
Behind the scenes
To celebrate the 50th anniversary of the moon landing, the Access and Outreach Unit of the Russell Library wanted an exhibition related to the historic event. Anderson, who was interning there, had experience handling spacecraft artifacts from her work at the Air and Space Museum.
A graduate student in the museum studies certificate program, Anderson graduated from UGA with a bachelor’s degree in history in 2013 and then worked at both the Smithsonian’s National Air and Space Museum and Cape Henlopen State Park in Delaware.
A history buff, she initially took the National Air and Space Museum job to learn about World War II and Air Force history. Family history was part of the inspiration—her grandfather served as a radio operator on a B-17 in the U.S. Air Force during World War II.
At the Air and Space Museum, she worked command module hatches that went into space as well as spacecraft models. She worked with the parachutes deployed for landings after the Apollo command modules reentered Earth’s atmosphere and slowed the modules down to lessen the impact of the water landing. Working with these objects made her want to learn more about the history behind the space race and space travel.
Along with other staff at the Air and Space Museum, she began watching Space-X launches on NASA TV and watch NASA send cargo to the International Space Station.
“Seeing these objects that went into space gives you this connection to history that you wouldn’t have otherwise. It makes history more tangible and relatable. It makes you want to learn more about them,” she said. “I had the opportunity to see a multitude of objects that had traveled to an area that I will never be able to explore. I get to see and touch artifacts that have been on true adventures and have inspired awe through generations.”
Her internship at the Paul E. Garber Facility turned into a job and she also served as lead contractor for the medium artifact team. She learned about archival photography, the care of artifacts and how to maintain the integrity of pieces “so that they can be observed and analyzed for generations,” she said. “We would work with pieces that hadn’t been looked at in a while, and providing a stable housing environment for these artifacts is crucial.”
Her team created custom long-term storage structures for the parachutes, which are 25 meters wide. They also worked on ensuring care of artifacts not on display in the warehouses. Her team was in charge of medium artifacts, which means artifacts between 50 and 5,000 pounds. “I drove a forklift every day, which was a unique skill to learn, one that you don’t expect when you decide to work in museums,” Anderson said. “Collections work is delicate and detailed but moving large objects requires heavy machinery.”